I met Marc Mozga in English class my first year at CSUN. Somehow it came out in our first class that we were both film majors and we both liked David Lynch movies, so we started talking. Turned out, Marc was from the Minnesota Twin Cities and was heavily involved in the music scene there with a band called The Swingtones. Like me, he had a really eclectic taste in music, so we started hanging out. I believe he came with Aidan and I to see Thee Headcoates at Jabberjaw. We saw The Jon Spencer Blues Explosion a couple of times, too, and probably some more bands.
He also really loved The Two Felipes.
After a year or two in LA, Marc had had enough of LA, though he managed to bring The Swingtones around on tour and I hooked him up with a show at The Whiskey-A-Go-Go. I was there with my friend Mark Lovretovich and we sat there really amused by the bands that played before them. There was some really pretentious art-punk band that was trying desperately to be The Fall (and failing miserably) and this ridiculous Motley Crue/Poison-type LA glam band called 88 Crash, who really perplexed us - especially the bald, body-waxed singer who looked like some guy from Century City letting loose onstage. It was completely ridiculous. Finally, The Swingtones took the stage and it was a great show, they were all great guys and we had a lot of fun.
Unfortunately, after Marc got sick of LA and moved back to the Midwest, we lost touch. He sent me a few really odd handmade tapes (to be posted here in the future), but I didn't hear much from him after that. Finally, he found me on MySpace a few years ago, but I'm not good at communicating on MySpace and we lost touch again. Oddly enough, he Googled "The Two Felipes" and found this blog a few months ago, and I haven't lost touch with him yet.
I Luv Luv Birds is his newest project with his girl, Holly Prindle. He plays stuff and she sings. It's indescribably great music. Although it's rooted in dub reggae a la The Mad Professor, there are elements of various modes of electronic music, including Cabaret Voltaire's early industrial, new styles 8-bit and glitch, and some sound collage aesthetics to keep it interesting. This is one bass-heavy, pulsing, psychedelic collection of music.
Ever read William Gibson's Neuromancer? This is the music that I imagine the Rasta space colony listened to.
Mysteries of Magnetism is ILLB's first release. It's mostly instrumental, but Holly comes in on the last track with a haunting vocal that would indicate where they'd go in the future.
I'm very happy to be posting this tape. It's an amazing collection of music.
The images and music were uploaded with Marc Mozga's consent. Thank you, Marc!