Showing posts with label punk. Show all posts
Showing posts with label punk. Show all posts

Monday, April 16, 2012

Undiscovered Bum - The Big Takeover Top Ten 03/2012

One of the hats I wear is as music critic for The Big Takeover, in both print and online versions. I used my Top Ten list of favorite recent reviews to assemble a DJ set, which morphs from punk to metal to noise to mutant blues.

Thanks to all the artists and labels who sent me stuff to review. Keep sending it to me. You inspire me in so many ways.

Saturday, March 3, 2012

Undiscovered Bum - Almost Molly Blooms

Sometime around the summer of 2007, a friend asked me and a few other people to join him in DJing a night at Molly Blooms II in Amityville, NY. We'd each get an hour to play whatever we wanted and, if things went well, we'd be able to do it again. Unfortunately, at the last second (like the day before) the people at Molly Blooms canceled and nothing ever came of it. I always wondered what that set-list I'd had in my head would have sounded like and, after looking over my notes, I finally assembled an approximation of what I would have played that night. My intention was to show my interpretation of dance music, beyond the confines of what it is commonly perceived to be. Being the first real DJ mix I've ever assembled, it's not perfect, but I think it's a lot of fun and, hopefully, it gets my philosophy across in an entertaining manner.

Thursday, August 12, 2010

World War IX - Locked In

Damn! I can't believe I haven't updated in over a month! Well, time to get back on track. I've been in a punk rock mood, so here's more of "the best trashy punk band in NYC," to quote myself again.

This is another "single" with Max on vocals, but for some reason, he's not so annoying on these. Actually, his voice kinda works, although of course, Mike would be preferable. Unfortunately, you can't have everything in life.

I remember writing a review for Under the Volcano where I called "The Life" a "punk rock opera" or something equally ridiculous. I'd reprint that review here if I wasn't too lazy to dig through my UTVs to find it.

The images and music were uploaded with Justin Melkmann's consent. Thank you, Justin!

World War IX
Locked In CD
(Elis Eil)
2006

01. The Life

02. Preteen Supermodel



Tuesday, June 22, 2010

Violent Fit - Descent of the Monarch

A quick one to get back on track.

Violent Fit is Dan, bassist/vocalist of Ultrabastard!, doing a solo hardcore thing in the Garage Band program. Don't let the "guy on a computer" aspect turn you off, though. This is some seriously noisy, pummeling shit, kind of a cross between Rupture and The Cows, or maybe Melt Banana and Poison Idea. I dig it, and you should, too.

Violent Fit
Descent of the Monarch MP3EP
(MPAE)
2010


Sample track:

Descent of the Monarch


Wednesday, June 2, 2010

400 Blows - 3-19-98

Here's another one that I'm extremely excited to be posting.

400 Blows were part of the Downtown LA scene that also spawned Leopold and Sleestak. In fact, I remember hearing that members of Sleestak and Leopold were instrumental in getting the band members together. Out of the three, though, 400 Blows became the most popular, taking a Melvins/Karp-style assault to an even more basic, primal level.

Christian (or Xian, as he later became known) played a guitar that was tuned to a single chord. He played with two fingers and daisy chained two amps together to get the high-end squeal and the low-end bass, so he effectively acted as both guitarist and bass player. Ferdie was the manic metronomic drummer propelling and accenting the wall-of-sound that emanated from Christian's two amps (and two fingers). At the front of the stage, Skot gyrated and contorted his body like a spastic as he delivered his oddball lyrics of alienation and reckless abandon. All three members wore black naval uniform shirts that Skot found in a thrift store. Sometimes Christian wore a bunny thing on this head. Eventually, Skot expanded his wardrobe to include black leather gloves and aviator sunglasses.

Most of these songs have been rerecorded and released on other 400 Blows albums, but this is how I remember the band sounding - a raw, in-your-face attack by an overgrown three-year-old who tauntingly chants "na na-na na na" as he beats your face into the edge of the concrete curb. For that, this is absolutely my favorite album by them. I suggest turning it up as loud as your ears can take, then a few more clicks and dancing like a heathen to the primitive groove.

I believe they're still around in some incarnation, though Skot's the only original member at this point. After not seeing them for years, I caught them in 2004 at the Knitting Factory in NYC. Skot was outside and he couldn't believe his eyes when he saw me. He gave me a hug and got my buddy and me in on the list. That's the last time I saw the original lineup.

The images and music were uploaded with the full consent of Anthony Francoso, owner of Total Annihilation Records. Thank you, Anthony!

400 Blows
3-19-98 CD
(Total Annihilation)
1998


Sample tracks:

The Bull That Killed the Matador

Premature Burial

Electric Wilderness


Tuesday, April 27, 2010

Pope Goat VII - Book of VII Commandments

(Photo by Sir Ackronomicon)

I'm really excited to post this, as I haven't heard it since we recorded it 11 years ago.

This was the last book of Pope Goat VII to be recorded in my mom's house before Sir Ackronomicon and I set up our domain in The Blue Room. Quite honestly, I don't remember much about this recording session, probably due to intoxication, but I do remember it being the first time I used my guitar for the Pope Goat and that we were screaming through most of it. Listening to it now, it sounds like a cross between Throbbing Gristle, Whitehouse and Acid Mothers Temple.

Of course, it was supposed to be 10 Commandments, but we moved before recording the last three Commandments, and by that time, the Pope Goat commanded us to start fresh, with the Book of New Surroundings.

About the psalms:
(note: psalms that are linked can be downloaded as samples)

01. I Am the Only God - His Holiness Pope Goat VII's response to Exodus 20:2-6.

02. Keep My Sabbath Holy -
His Holiness Pope Goat VII's response to Exodus 20:8-11.

03. Bear False Witness -
His Holiness Pope Goat VII's response to Exodus 20:16.

04. Covet Thy Neighbor's Goods -
His Holiness Pope Goat VII's response to Exodus 20:17.

05. Thou Shalt Kill -
His Holiness Pope Goat VII's response to Exodus 20:13.

06. Covet Thy Neighbor's Wife -
His Holiness Pope Goat VII's response to Exodus 20:17 (continued).

07. Stealing Is Good -
His Holiness Pope Goat VII's response to Exodus 20:15.

Pope Goat VII
Book of VII Commandments CDR
(MPAE/Hummer Productions)
1999


note: the .zip file includes booklet and tray-card inserts so you can make your own PG7 CD!





Thursday, March 4, 2010

Pete-less - Pete-less

Here's a band John, from ULTRABASTARD!, was in over 10 years ago. From what I remember, the band had another name and a proper singer until John was looking at their website one day and he saw something saying that the singer, Pete, had quit to start another band. Apparently, Pete forgot to tell his bandmates. John was playing bass, so out of necessity, he became the vocalist and they changed their name to Pete-less.

Sonically, I think the band is more "grunge" than anything - not like Pearl Jam mind you - but that style of metalized punk that really doesn't have any other name. Between Barbara's heavy guitar chops, Joe's powerful drumming and John's shouted vocals, it has a very late '80s/early '90s Northwestern US sound.

Some words from John:

"It's 33 minutes, 11 songs and aside from the shitty vocals, it still rocks after all these years!! We shoulda been contenders! 'When Illumination Comes' was a 10 minute jam with a lot of good riffs that I whittled down to 2 minutes. Half the songs were about Joe's breakup with his girlfriend including '3 West' which was named after the psych wing he was in because of depression. 'Tired' was a fuck you to everyone who said we were this or that."

The images and music were uploaded with John Ulmer's full consent. Thank you, John!

Pete-less
Pete-less CD
(Pete-less)
1999


Sample tracks:

Squeezed-out

When Illumination Comes

Bradees


Wednesday, February 24, 2010

Libyan Hit Squad - Fiji

If you've been reading this blog from the beginning and/or you know me personally, then you know how highly I think of Libyan Hit Squad. Not only are they an incredible band, but they're great people as well. I'm proud to have shared the stage with them on the too few occasions that it happened.

Fiji really shows the band progressing in their sound, which I described in this (unedited) review for The Big Takeover #64:
LHS never fail to amaze me. Now that their full-length promo CD has finally found a proper release on vinyl with Ripping Records, it’s like hearing the album all over again. LHS exist in their own musical dimension of Black Flag, Love and The Minutemen. Fiji kicks off with the folk-rocker, “Triggers & Knives,” which could have been recorded by Arthur Lee and company back in the ‘60s. Then you’re immediately thrown into the hardcore melee of the next three songs until side A closes with the syncopated instrumental, “BHS.” Side B gets even more out there with two eerie instrumentals, a folk punk number, a straight-up hardcore thrasher and a weirdo Butthole Surfers-style track. LHS are punk rock at its challenging, unpredictable, original best. There’s something about Florida

They're a great group of guys with great songs and they're one of the five bands around today that I actually give a shit about (others include Six Finger Satellite, The Jack Saints and The Secret Machines). I really can't wait to hear where they go after this cuz I know it will be good.The images and music were uploaded with Craig Englund's full consent. Thank you, Craig! Extra special thanks for the LP art scans and MP3s!
Libyan Hit Squad
Fiji LP
(Ripping)
2008


Link removed at the polite request of Ripping Records so...

BUY THE DAMN ALBUM!!!

Sample tracks:

Long Way

Break





Thursday, February 18, 2010

The Repercussions - Modern Sounds

The Repercussions were one of those incestuous garage bands whose members had been in several bands before this one and most of the members had been in those bands together. They played some damn fine rock'n'roll though, and they honored me when they asked me to write the liner notes to their debut full-length. Here's what I wrote (click the image to make it larger):

Unfortunately, whoever transcribed what I wrote left out a line of text, making one section not make too much sense, but whatever, you get the point.

I saw them a few times at the now defunct and sorely missed club, Saints'N'Sinners, and in my vain attempt at getting a job in the A&R Department of Atlantic Records, this was one of the CDs I presented. Hell, they were better than most of the other crap on that label.

Perhaps it was for the best, though, as they broke up shortly after this was released. Now they're in different bands with each other.

That's rock'n'roll!

The images and music were uploaded with the full consent of Jake Elliot Roren, owner of ESCHE Records. Thank you, J-Ro!

The Repercussions
Modern Sounds CD
(ESCHE)
2005


Sample tracks:

Everything Is Gonna Be Alright

Heather in Pleather

Where We're Going We Don't Need Roads


Thursday, February 11, 2010

Pope Goat VII - Book of New Surroundings

(The Blue Room floor circa 1999/2000 - Photo by Sir Ackronomicon)

What better way to get back on track than with another Book of Pope Goat VII?

This is the Sixth Book of Pope Goat VII. Where's Number 5? We never mixed it down.

This was the first book we recorded after we moved out of my mom's house and into our own apartment. We immediately transformed our hallway, which was actually pretty spacious for a hallway, into a permanent recording studio, the Blue Room, for us to use at our leisure. This was really the most thriving creative period His Holiness the Pope Goat gave us, and we recorded something like 45 of our 50 Books here.

All tracks were now one take, no overdubs, completely improvised either off a riff one of us started, or by just hitting record and seeing what happened. This is really one of our finest moments, as the excitement and energy of our new living situation and my new-found freedom really shines through.

About the psalms:
(note: psalms that are linked can be downloaded as samples)

01. All Ye Who Enter Here - Our first recording in our new apartment and in the Blue Room conjuring the powers of His Holiness, the Pope Goat.

02. Tropical Frog - We had some shitty cereal with stale marshmallows in it, like Lucky Charms or something, and it was advertising the new "tropical frog" marshmallow, so in true Pope Goat fashion, we did a song about it.

03. Tropical Toad - We didn't feel done with the "Tropical Frog" thing when the tape ran out, so we recorded a "sequel," as directed by the Pope Goat.

04. Do the Pope Goat - Pope Goat disco. Pretty self-explanatory.

05. Shit - Everybody does it.

06. Christian Disco - The only channel we got on our TV (since we refused to pay for cable) was TBN, the Born Again Christian channel, which became a huge inspiration to our music. I believe this is the first TBN reference in the Pope Goat cannon.

07. White Trash Rap - Here, we were joined by Sir Ackronomicon's brother, Sir P of Pimping Hos, on vocals, and Sir Minister Barry the Conquistador on keyboards. Sir Ackronomicon is on bass and I'm playing trumpet and screaming in the background.

08. You Silly Bitch - Yup.

09. Black Sunday - We were hungover on a Sunday morning, and we said, "Black Sunday" - a reference to the great Mario Bava movie - in our Pope Goat voices and realized were were being summoned by His Holiness Pope Goat VII to record, which we did.

10. Leaky Ceiling - One morning it rained and I woke up with a deluge of water dripping through my ceiling all over my room, like it was raining inside.

11. Metal Plate - Basically, when we were moving into our apartment, Sir Ackronomicon had leaned a metal plate from something his dad had welded against the railing outside our door, and when we were moving his mattress in, we knocked the plate, which slid under the railing and sailed down into the courtyard of the apartment complex. We heard somebody yell, "What the fuck was that?" We didn't think anything of it until he kept yelling. We looked at each other and knew something was wrong. We ran downstairs and saw some guy on his knees holding his head. Sir Ackronomicon pulled the guy's baseball cap off his head and blood poured down his face. I ran back upstairs and called 911. Luckily, the guy didn't sue, but Sir Ackronomicon was stuck paying the guy's medical bills for a while.

12. Toilet - It was one of those typical shitty cheap apartment toilets that ran for no reason or got stuck after you flushed and you had to jiggle the handle.

Pope Goat VII
Book of New Surroundings CDR
(MPAE/Hummer Productions)

1999



note: the .zip file includes booklet and tray-card inserts so you can make your own PG7 CD!




Thursday, January 14, 2010

World War IX - When a Good Time Turns to Shit

Haven't been feeling very motivated lately, so here's a quick one for the week.

This is an early "single" from WWIX, when Max was still the vocalist. Personally, I never really cared for his vocals - his voice is a bit dopey and onstage he really seemed to be trying too hard. Compare this version of "Treasure Hunt" to the one on Brown Bagging It with Mike's vocals. There's no comparison; Mike's is way, way better.

But the band is top-notch here as always and it's cool to hear the origins of "the best trashy punk band in NYC," to quote myself.

The images and music were uploaded with Justin Melkmann's consent. Thank you, Justin!

World War IX
When a Good Time Turns to Shit CD
(Elis Eil)
2005

01. Intervention

02. Treasure Hunt



Thursday, January 7, 2010

The Two Felipes - Hot Off the Grill

For the beginning of the new year (and a new decade, according to some on NPR), I bring you the origins of one of the most important bands to my musical upbringing.

Hot Off the Grill was The Two Felipes' first tape, and it's basically a "demo" for what would become Eat Your Fill. It's pretty interesting to hear the orignal versions of these songs in comparison to how they evolved only a few months later.

A must for all Felipes Fanatics!

The images and music were uploaded with Dan Vebber's full consent. Thank you, Dan!

The Two Felipes
Hot Off the Grill CS
(Flaming Cow Productions)
1986


Sample tracks:

Industrial Strife

Jay's Plan

Fish

Tuesday, December 29, 2009

ULTRABASTARD! - Demo

(Live at Big Al Doogie's birthday party August 2006)

My band, i.e., the functioning one that practices every week and plays out once in a while.

John and I met in Maggot, a Lower East Side scummy punk band that I joined after seeing them play once. Unfortunately, main man Greg Maggot and I butted heads and I was out of the band a few months later. Shortly afterward, I started playing with a douchebag who called himself Atom, where I met Dan, but that's another story.

Basically, John called me out of the blue one day after the Maggot debacle, right when I was realizing things weren't working out with Atom, and he asked me if I wanted to play music with him. Of course I did - he's a great guy, really easy to work with and he played bass. So we started writing and practicing songs with a drum machine in his garage. John wanted to name the band "Hypocrite," and I liked "Jackhammer," so we became Jackhammer Hypocrite. We actually played a show with the drum machine to about five people in a sandlot.

The thing was, we really wanted a singer and a drummer. Eventually, we found the latter in Dan Brown, a guy from my neck of the woods, the North Fork of Long Island. None of the singers we "auditioned" worked out, so John and I took over vocal duties. This line-up played several great shows, most notably at The King's Club in Centereach and Saints'N'Sinners in Smithtown. We also changed our name to JAKKHAMR HYPOCRYT for some reason.

Eventually, Dan Brown, who's a helluva musician by the way, began flaking on band practice, leaving John and I to sit there pissed off and frustrated. Finally, we just never called him back for practice and we returned to square one. We put a classified ad in a local music mag and talked to a few people, but nothing worked out. In the meantime, I played with Optimus Prime. Then one day, John called and said, "I've got a dumb idea - why don't I switch to drums and get Dan from Optimus Prime to play bass?" So that's what we did, and it's stayed that way for better or worse ever since, although now we practice in Dan's basement and we're called ULTRABASTARD!

There's been a lot of fun and a lot of turmoil. We did a mini-tour of Florida with Libyan Hit Squad. We played Cleveland and met Nightmare Mode. We've had incredible, ass-kicking shows and really horrible, embarrassing ones. We've hated each other and loved each other. We all love it, though, and we always come back for more. In fact, we're recording again (finally).

These songs were recorded in late 2005, right after John switched to drums and Dan joined.

(Live at Joe's going away party October 2009)

About the songs:
(note: songs that are linked can be downloaded as samples)

01. Turning Fat Into Muscle - This instrumental evolved out of a riff I pulled out of my ass one night when John was playing bass and Dan Brown was still drumming. It became our staple opener for quite a while.

02. Numb - John wrote this one, though I came up with the chords for the solo part. It's a heavy, solid song about frustration - a subject that appears often in our lyrics. This was one of the original seven songs John and I assembled with the drum machine.

03. Don't Need You - I wrote this trying to write the "Sonic Reducer" of break-up songs. I actually originally recorded it on my 4-track for the second FPOS album that never materialized (because I had a real band for a change). It remains a crowd favorite.

04. Alive - John write this, but his original lyrics were some "pretty girl, dream come true" drivel that had no place in our repertoire, so I wrote lyrics about the asshole my mom married. Another of the original seven songs.

05. Kiss Me - One of mine, written shortly before "Don't Need You." One of the original seven.

06. Citiots - Dan came up with the music for this killer song and we all worked together to arrange it into what it is here. I wrote the lyrics about summers on the North Fork with some inspiration from The Candy Snatchers.

07. Piss & Hatred - John wrote this about a rough patch in his marriage. Also one of the original seven.

08. Big Fat Dumb - I was on a Motorhead kick when I wrote this song about an asshole I had to work with. We don't play it anymore, mostly because Dan can't remember the bass line and I'm too lazy to re-teach him.

09. Myrtle (Something Good) - Dan wrote and sang this garage-y stomper. He titled it "Something Good," but John said it should be called "Myrtle." Still one of my favorites.

10. Blues Type Thing - One of the original seven I wrote that was inadvertently ripped from Iggy Pop's "Rock And Roll Party" from Party. And yes, that's a Robert Plant reference in the lyrics.

11. Fight Song - I wrote this song about my experience moving across the country after being annoyed by Rush on the radio at work. Funny how that worked out. John said he could see the crowd fighting to it, so the name stuck. I think I wanted to call it "Wanderlust," but that didn't last long. One of the original seven, and, just for the hell of it, I'm gonna post that original seven song, four-track demo up here at some point. Also, be sure to listen to the hidden track, which appears 30 seconds after "Fight Song" ends.

PLAY LOUD AND DRINK HEAVILY.

ULTRABASTARD!
Demo CDR
(MPAE)
2005


Bonus!!! A video of us in the basement performing a song that's not on the CD!!!


Thursday, December 10, 2009

Optimus Prime - And Now...Optimus Prime Time!

To make a long story short, I met Dan through a total toolbag who went by the name of Atom (when he called, he'd say, "Hey, it's A-T-O-M!") and we all played together in a short-lived band called A Funeral in the Fall. Dan and I eventually got sick of said toolbag and quit, but that's another story.

Anyway, Dan had this thrash band that he had just started called Optimus Prime, but they couldn't hold down a guitarist. I volunteered, saying I couldn't practice with them, as they got together Monday afternoons and I had to work, but I'd kinda learn the songs and improvise the rest. As a big Melt Banana fan, Dan liked the idea and I joined as noise guitarist.

One day in February 2005, we went into Dan Keely's studio in Southold and recorded this gem.

We played a total of 12 shows from May 2004 to July 2005, when Joe, the singer, quit and we gave up. It was fun while it lasted.

Dan wrote everything. I think Joe wrote the lyrics for "Who the Hell Knows?" though. Lou played drums like a cracked-out Animal.

Optimus Prime
And Now...Optimus Prime Time! CDR
(MPAE)
2005


Sample tracks:

Better Days

Skin Deep

Get Off Yer Ass and Practice What You Preach


Thursday, December 3, 2009

FPOS - Fuck You, We're Fucking Piece of Shit

(Mr Phreek circa early 2001 - Photo by Ackronomicon)

December is my birth month (I was born on the seventh) so all my posts this month will be from my own musical projects.

When I recorded this album, I had been NY for a year and a half and I was completely frustrated. No matter how hard I tried, I couldn't connect with anyone musically - open-mindedness isn't exactly prevalent on the east end of Long Island. I really wanted a punk band, but I was surrounded by strict metalheads and people whose ideas about punk rock came from MTV.

So, in DIY fashion, I did it on my own. It's a really good document of what was going on in my head at the time (late 2002). I also pulled out some of my favorite songs from the original MPAE tape and finally gave them a proper recording, despite the ultra-crappy production.

Goes well with a 12-pack of cheap beer.

(Mr Phreek circa early 2001 - Photo by Ackronomicon)

About the songs:
(note: songs that are linked can be downloaded as samples)

01. Something More - This song came from nights where I'd just aimlessly drive around the North Fork because I didn't have any friends and I didn't know what to do with myself.

02. Q&A Session - Musically, this was one of the first songs I ever wrote back when I was 16, but I never really did anything with it. I decided to resurrect it here and write lyrics that are kind of like a punk rock Samuel Beckett. It's too bad I mixed this so poorly, as I really spent time on the drums.

03. Climbing Up the Walls - I had kicked junk a little less than two years before this was recorded, but I still had really bad cravings, which only got worse with my frustration.

04. I Wanna Die - This Dwarves-inspired ditty can be interpreted as either a celebration of hedonistic nihilism or a sarcastic mockery of it. Personally, I go back and forth, depending on what mood I'm in. Lots of people tell me this is their favorite song on here.

05. Deaf Mute - Remember that part in The Catcher in the Rye where Holden Caulfield says he wants to move to some podunk town and work in a gas station and pretend to be a deaf mute so he wouldn't have to deal with people? I horrified my freshman high school literature teacher when I told her I thought it was a good idea.

06. Pissed Off/A Sellout Like You - The first part is very Black Flag-ish hardcore, but the second part really came from Crass. Again, the drums were mixed way too low.

07. Bithing Again - A song about how all my songs were complaining about something or other. Even in my darkest moments, I retained a sense of humor. I've always really liked this one.

08. I Really Hate You - One of the songs from Anokist Antiquity that got a proper recording here.

09. Kill Your TV - Another Anokist Antiquity track that finally got the balls it deserved.

10. Sick of Porn - Ack had sent me this horrible porn tape, The World's Luckiest Man starring Jon Dough (who has since killed himself), and, without internet access or the slightest success in the female department, it was all I had to get off. It got old really quickly.

11. Burn Down Your School - My favorite Anokist Antiquity track. Burn, baby, burn.

12. I Don't Care - A much better version of a song from Mixdown 2 with better lyrics.

13. That's Me - This was also originally on Mixdown 2. This version is dirtier in that Fang way.

14. Pretty Bad Girl - A Flipper-type track about a girl I worked with based on stories she told me. It seemed like a good way to end the album.

FPOS
Fuck You, We're Fucking Piece of Shit CDR
(MPAE)
2002