Showing posts with label twitch party. Show all posts
Showing posts with label twitch party. Show all posts

Tuesday, September 29, 2009

Twitch Party - Live at The Raven Playhouse 5/10/97

(Flyer by Aidan Flax-Clark)

Great show by my first band. When I think of Twitch Party, this is what comes to mind. As far as I'm concerned, this was our peak. We were still getting along (for the most part) and our creativity was really flourishing. Sure, the recording quality here isn't perfect, but for a tape that was recorded from a Hi-8 video, I think it sounds damn good. I'm very proud of this band and what we accomplished. It's hard to believe this happened over 12 years ago!

Aidan Flax-Clark on guitar and backing vocals, Travis Erwin on bass, J.C. Ehle drumming and me as lead vocalist. We were good.

About the songs:
(note: songs that are linked can be downloaded as samples)

01. Intro - 30 seconds of setting up, tuning, etc.

02.
Crack - A powerful version of the song that rages beyond the Whiskey recording.

03. Sore - Fuck yeah! Sme slight dropouts - somebody must have walked into my camera...

04. At Peace - This may have been the first time we performed this song live. (At most, it was the second.) You can tell it's not fully formed yet, but it has an energatic immediacy to it. Check out the improvised guitar solo by Aidan!

05. Grey Walls - I wrote this song. Very influenced by Karp and Hammerhead. Unfortunately, this was where I was headed, which was diametrically opposed to where everyone else wanted to go. If not for my ego...

06. Binding Glory - Balls!

07. Beautifully Deformed - A particularly tortured performance of this song.

08. Stench - Sure, it's an L7 rip-off, but it was one of my favorites and we did a great job with it here.

09. Urinal - Boom-cha-boom!

10. Song - Hell yeah!

11. Grassed - Good shit!

12. The Taxidermy of Love - I really like this performance. You can hear some drunks come in at the end of the tuning sequence after the song. They were pretty entertaining.

13. Fit - And the tensions start. We actually played the song pretty well until it fell apart in the end. Then, like an asshole, I had to insist that "I didn't screw up." I did. Sorry Aidan.

14. Halved - Oh yeah!

15. Stretched - Excellent performance of our signature closing track with some beautiful feedback at the beginning. I like to think that THIS was what we were all about.

(Flyer by Aidan Flax-Clark)

Twitch Party
Live at The Raven Playhouse 5/10/09 CS
(n/a)
1997




Tuesday, June 9, 2009

deng - Live at The Raven Playhouse 10/97


deng didn't last long, but we were around long enough to put out one tape (that got good reviews in Flipside) and we played one noise show at The Raven Playhouse with Eckankore, Musicide and possibly Flammable Child(?).

This is that show, as recorded on my 4-track as we performed. It's pretty chaotic, but it's a lot of fun and it's only nine and a half minutes.

deng
Live at The Raven Playhouse 10/97 CS
(n/a)
1997

01. Live at Ravens


Monday, June 8, 2009

Twitch Party - Live at the Whiskey-A-Go-Go 4/13/97

(Twitch Party's listing in the LA Weekly)

And now for the first in a trilogy of live recordings that I'll be posting this week.

This was Twitch Party's third or fourth show and you can hear a lot of diversity in the songs. We were in the process of assimilating
our many different influences whole, which we eventually fully realized on our demo, but listening back on this recording, I'm pleased with the diversity. At least we were original.

This show is marked by my constantly cracking voice, JC's ever-troubling hit-hat and our general shyness when it came to dealing with the audience. Actually, Aidan does the best job trying to keep people entertained. I hid behind sunglasses and a dog collar and had a hard time talking to the crowd. I was 18 and thus not of legal drinking age, so I was probably pretty sober, maybe a little stoned.

Travis sat in a chair while he played - he thought it was funny.

There's a video of this show, too.


About the songs:
(note: songs that are linked can be downloaded as samples)

01. Intro - Us getting our bearings.

02. Crack - As far as I'm concerned, this was the first Twitch Party song. I wrote the lyrics in my college Intro to Philosophy class and gave then to Aidan. He called me with a riff. When he played it for me over the phone, it sounded good. While practicing at JC's house, I beat on the cow bell while screaming the "I stepped on a crack to break your back" and it stuck. The lyrics were very influenced by San Francisco's Bomb.

03. Sore - This was really Aidan's song and I don't know much about what was behind it. I remember getting really sick of this song after a while, but now it's one of my favorites.

04. Urinal - On my way back to LA from NY, I went into the bathroom and peed next to a guy who was beating off into his urinal while giving me a creepy grin. I wrote lyrics about it and Aidan came up with the music.

05. Stench - This was a silly song. I wrote lyrics about a brutal murder scene and the band came up with something that sounds like L7 on testosterone. I still like it, though.

06. Beautifully Deformed - The music for this one came from one of Aidan's 4-track recordings. It was originally called "The Poop Song" and the lyrics were of the "I want to poop on you, I want to poop on everyone" variety. Aidan asked me to write something else, so I came up with the Bomb-infused sex lyrics.

07. Binding Glory - I wrote this one. I borrowed an atonal chord from Six Finger Satellite and arranged it around S&M lyrics. It came out well, especially after Aidan, Travis and JC added their flourishes.

08. Football Jock - Another song that came from Aidan's 4-track recordings. JC and Travis did an excellent job of recreating the metronomic, robotic beat.

09. Song - One of my songs that we played until we broke up. It was properly recorded for the demo.

10. The Taxidermy of Love - If I remember correctly, the music came from one of Aidan's 4-track recordings and I provided a poem I wrote as lyrics.

11. Grassed - I took the title from the Naked Lunch glossary and wrote a song around it. Aidan came up with the music. I particularly like the Sword of Vermillion-like guitar riff.

12. Halved - Another case of Aidan setting my lyrics to music. Travis insisted that he couldn't play that fast, so he played the note slowly and it ended up sounding really cool. The song kinda reminds me of "Rope" by The Jesus Lizard.

13. Stretched - One of our first songs and one that remained in our set until we broke up. I love this song.

Twitch Party
Live at the Whiskey-A-Go-Go 4/13/97 CS
(n/a)
1997



Thursday, March 12, 2009

deng - Spasmodic Goat


My first attempt at noise.

When I was a young teenager, my dad would bring me into Aron's Records in Hollywood and I'd be free to wander around the store while he spent hours (literally) flipping through the used vinyl. I always found myself returning to the Noise/Experimental section and its mysterious releases. I'd wonder about Merzbow, who had a ridiculous amount of CDs in the bin, and The Haters, who not only had lots of CDs, but also novelty items, like Wind Licked Dirt, a blank CD that was played by rubbing dirt on it, and The Haters Coloring Book, black construction paper with a black crayon. Finally, I broke down and got a Merbow CD, the three-inch disc Artificial Invagination, which, sadly, I don't have anymore. I listened to it and, lo and behold, it was noise. I filed the CD away, slightly confused, and continued my fascination with punk and indie noise rock. (I managed to find a Haters CD used, too, which furthur perplexed my teenage mind.)

It wasn't until after high school that I started hanging out in a store on Ventura Blvd in the San Fernando Valley called Green Hell, that I finally caught the noise bug. I became friends with this guy, Mike Thrashead, who worked in the store and he was into all kinds of different stuff. His main thing was European thrashcore, but he also turned me on to stuff like Rupture and Fang. I was also a fan of his band, Bad Acid Trip. Finally, I decided to buy another Merzbow CD from the noise case. He asked which one. I asked which did he recommend. He shrugged and said any of them. I went with Electric Salad because I liked the title and the cover. That night, I understood noise and became obsessed.

Aidan, the guitarist of Twitch Party, was one of my best friends at this time and we'd constantly share music. I lent him Electric Salad and he caught the noise bug, too. This was the tail end of the noise tape era, and we decided to do our own noise tape. We got a few pointers from Thrashead on where to buy bulk tapes and how to dub them, and I transformed MPAE into a cassette-only noise label, with deng's Spasmodic Goat being the first release. In keeping with the noise tape tradition, all MPAE releases were limited to 50 copies. We actually got some good press in Flipside Magazine, too, believe it or not.

This tape holds up a lot better than I thought it would. I still thought of noise as an overkill of sound, but these tracks are a lot more controlled, surprisingly.

We played one live show, that I may post here in the future. deng ended when Twitch Party ended. Another chapter closed.


About the songs:
(note: songs that are linked can be downloaded as samples)

01. Anhydrosis - A surprisingly controlled opening track. Probably the best track on the tape.

02. Dried Good Hydration - More chaotic, but we still managed to hold it together. Earl LeMay, who wrote the lyrics to "Let's Get Optimistic" on Anokist Antiquity, appears here.

03. Operative Technique - A total free-for-all that comes across a lot more focused than we were when we recorded it. Earl LeMay is also on this track.

04. Fung-Fung - We beat on stuff around my dining room and kitchen for this track. Another one with Earl LeMay.

05. Ouch - A tongue-in-cheek attempt at doing Masonna-style noise. The idea was that it was the sounds of somebody getting their tooth drilled. We thought it was funny.


deng
Spasmodic Goat CS
(MPAE)
1997

Monday, February 16, 2009

Twitch Party - Twitch Party


My first band. I did vocals, Aidan Flax-Clark was the guitarist, Travis Erwin played bass and JC Ehle was the masterful drummer. We formed in the fall after I graduated high school. I was the oldest, at 17, and in my first year of college, but I had made friends with Aidan, who was a sophomore at my old high school, and we kept in touch over the summer. We had several interesting experiences when I got back from NY and decided to form a band on our shared love of The Jesus Lizard, Slug, Tool's Aenima, The Stooges and old punk rock.

Aidan was already good friends with JC, who I kind of knew from high school. We had been in some music classes together and I knew he was an excellent drummer. (Little did I know how amazing he really was.) Originally, we had a mutual friend, Mark on bass, but he wasn't that great of a player and, in a band where the guitarist and the drummer were both virtuosos, that mattered a lot. So Aidan brought in his friend, Travis, who proved not only to be an excellent bass player, but a real asset to the Twitch Party sound.

I was into The Jesus Lizard, Six Finger Satellite, Slug and old hardcore, while Aidan loved all of those, but added Tool and Pink Floyd to the list. Travis was into "alternative" rock, like REM, Nirvana, The Foo Fighters, The Pixies, stuff like that. JC loved Coal Chamber and other Nu Metal bands, but also shared my appreciation of straightedge hardcore bands like Earth Crisis. Somehow, we all spoke a common musical language.

We played a few shows at places like The Whiskey-a-Go-Go, Cobalt Cafe, Raven Playhouse and even Al's Bar. Our first show, ever, at Cobalt was a complete disaster. We were relentlessly heckled by the "punk" crowd who went so far as to unplug Aidan's amp, throw a full cup of water at Travis and cover the stage with balled-up LA Weeklys. (Aidan and I renounced punk after this show.) At an odd show at some Rec Center in the Glendale valleys, the sound guy, Mike, said he wanted to record us, saying we reminded him of Flipper, which was a huge complement to me. Thus, we recorded this "official" demo. (Mike has since gone on to record bands like 400 Blows.)

Eventually, our singular vision splintered, due to egos and asshole behavior, most of which was mine. I got into Karp and back into old punk and hardcore with The Germs, while the other guys were going in what I saw as an Emo direction. Aidan didn't like the guitar riffs I suggested and I didn't like where his ideas were taking the group. In hindsight, there was room for compromise, especially on my end, but at 19, I didn't see that, and basically bailed in favor of another band who brought me on as vocalist called Leopold (who will be posted here, hopefully).

The real end came when JC moved to Santa Barbara to go to school. He said he'd come back to the San Fernando Valley to practice, but it was such a hike for him, it didn't happen very often. Besides, like I said, we'd gone our separate ways musically and mutually decided to call it quits. Aidan remained friends for a while, but cut things off after I had severe drug problems and he hasn't responded to me since then, which really bums me out because I really valued our friendship and his talent. Travis and I have kept in touch through the years and it's always good to hear from him. JC and I were never close. I think he thought I was a stuck-up, weird asshole, and he was probably right. I totally respect him as a musician, though, and I wish I could have gotten over myself enough to have had a real conversation with him.

I'm really proud of this band and the music we made. I have some live recordings and rehearsal tapes laying around with songs that didn't get recorded properly, so if you like what your hear here, leave a comment and I'll post some of that stuff.


About the songs:
(note: songs that are linked can be downloaded as samples)

01. Ode - Aidan wrote this one. It really showed the direction he was going musically. I remember practicing this song and JC saying he loved the way I did the vocals, which meant a lot because I thought he couldn't hear me most of the time.

02. Song - I wrote this on my mom's acoustic guitar during a brief winter visit to NY. Aidan immediately latched onto it and beefed it up, and with the virtuoso drums from JC and excellent bass playing from Travis, it really became something. One of our earliest songs.

03. Instrumental - This was where we really started to split. Travis came up with the riff, Aidan moved to drums, JC played an African drum called a Djembe and I switched to guitar. These kinds of changes in bands always annoyed me (and still do), so I wasn't happy to play this one out - I think I wanted to keep it as a studio recording. I was uncomfortable with my guitar playing at this point and really didn't want to be put in the spotlight with the six-strings, so I tried to avoid this song. In hindsight, seeing where the others were going with the music, I really should have stuck it out, but hindsight is 20/20, as the cliche goes, and I really didn't appreciate the band for who and what we were.

04. At Peace - Travis came up with the bass line and Aidan and JC linked right in. I added lyrics and this quickly became one of my favorite TP songs. After hearing this recording, Aidan wanted me to play guitar in the band, but, again, I wasn't comfortable with my guitar playing, so I fought against it, which, again, was a mistake. I should have listened to them, but I wanted to be Iggy Pop/David Yow/Darby Crash, so instruments would only get in the way. They were right, though; they really were.

05. WWII - Our friend, Earl LeMay, from the MPAE recordings, came up with the title for this song. This was another case of Travis playing something at practice and the rest of us following through on it. To me, this is what we were - heavy, emotional, loud and unforgiving. I still love this song and the time in my life that it represents.

06. Stretched - Another one of our earliest songs. I remember Aidan doing feedback during practice and JC doing the cymbal thing that was so perfectly Slug. Then the song kicked in and Travis did his thing while I used an old poem that just magically fit for lyrics. This song gives me chills to this day. Unfortunately, where the other guys were more geared toward "Instrumental," I was more into "WWII" and this song. Again, in hindsight, there certainly could have been a balance, but, try telling that to a couple of teenagers and see where it gets you.


Twitch Party
Twitch Party CS
(Twitch Party)
1998